** Normally you can emphasize the iris much more, here we keep it as faithful as possible to the original With the burn tool set to midtones and exposure to 20% we go over the circle that surrounds the iris.įrom here the techniques that can be added are varied as select the iris and apply a level of curves, a photographic filter, color consultation or different ways to increase the sharpness and so on.Add a new blank layer that is filled with 50% gray and change the blending mode to Overlay.Acting on the opacity is better defines the right value.We apply a light blur and change the blending mode to Overlay. ![]() Add a new blank layer and with a soft brush we paint small lines using the corresponding colors sampled from the original.The secondary reflection is always the exact opposite of the main one and with a brush and white color we paint the reflection (on a new layer), then apply a Gaussian Blur from the Filter menu and change the blending mode to Overlay. The iris can be processed in different ways, but it depends on the eye itself make us decide how to act, generally speaking work with " dodge " on a separate layer (as mentioned above) can lead to good results. We always use a very small brush to work with precision and above all not to impoverish the original texture of the skin.ġ) The white must be worked in the same way, with the fine Healing Brush and neutralizing as much as possible the small red veins.Ģ) Then we select the eye to create a mask of a new level of curves and with which we lighten the white in a natural way.ģ) In the level of curves we will exclude the iris filling with black color the mask in correspondence with its own iris so as to work the white of the bulb separately and independently.Ĥ) Be careful not to whiten too much damaging the credibility of the shot, error by the way of the most common.Reminding us the movement to dragging, saw in the course, where the starting point is the source that will affect the destination of our micro-brushstroke.The most important thing to get quality results is to get away the least possible from the original, the best way to learn is to practice and practice of self portraits.ġ) Maximum Zoom depending on the display, 2) Edit small areas in several steps, 3) Most tools depend on the brush, 4) Use the tools to opacity and lowest flow (15-20%), 5) Working on new levels with method "samples all levels".įirst, after stock of the situation (perhaps adding a new blank layer above the subject and with a brush you draw the various parts of the face that need retouching) we start with the "Healing Brush" or the " patch tool " to eliminate defects more apparent. In the end it is important to know that these are the notes in reference to a workshop held by me and these steps require, more than in other cases, the practice with the guidance of a tutor.įor those who have advanced knowledge of Photoshop I hope will find these notes some helpful advice. ![]() ![]() The following techniques are the gateway to the Post Production, but I specify that the same evolve in ways 10 times more complex and include hair, eyelashes, beard, but for obvious reasons these can't be summarized here. Digital Make Up of a face where recognize the limits is the basis for excellent results.īelow we will see the basic techniques for Photo Retouching Beauty which require advanced use of Photoshop, so is not explained how you get a perfect selection, what are the blending modes or whatever because it's taken for granted that you know.
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